Choreographer Robert Binet has always been interested in the ancient myth of Orpheus and Eurydice. But there was just one problem: he had no appetite to present one more damsel in distress. The ...
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Orpheus in the Underworld: Cape Town City Ballet’s hilarious spoof of a timeless myth
With the Cape Town Philharmonic Orchestra accompanying and a large cast of hardworking dancers, Veronica Paeper’s sparkling choreography makes light work of the ancient myth, recasting gods and ...
Orpheus Alive, which premiered last Friday evening at Toronto’s Four Seasons Centre, is choreographic associate Robert Binet’s first one-act ballet for the National Ballet of Canada. Artists have long ...
Los Angeles Opera is presenting an updated, socially relevant, radically different interpretation of Christoph Willibald Gluck’s 1774 opera/ballet, “Orpheus and Eurydice.” It is adapted, directed, ...
His three muses were a mixed blessing—but not mixed enough, too undifferentiated in height and appearance. Tiler Peck danced impeccably (as she always does), but for me Terpsichore is both more leggy ...
Los Angeles Opera is presenting an updated, socially relevant, radically different interpretation of Christoph Willibald Gluck’s 1774 opera/ballet, “Orpheus and Eurydice.” It is adapted, directed, ...
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