Add Yahoo as a preferred source to see more of our stories on Google. Playwright George Brant enjoyed some success with a one-woman play about a female fight pilot who is grounded when she becomes ...
The Metropolitan Opera opened its season Monday with the company premiere of Grounded, with a score by Jeanine Tesori and a libretto by George Brant. Theater critic Sara Holdren and music critic ...
Forbes contributors publish independent expert analyses and insights. I cover travel trends and wellness and family travel. Emily D’Angelo, a magnetic mezzo-soprano originally from Toronto, Canada, ...
Performances in N.Y.C. Advertisement Supported by Jeanine Tesori and George Brant’s bloodless “Grounded,” about a fighter pilot turned dissociating drone operator, stars the mezzo-soprano Emily ...
Performances in N.Y.C. Advertisement Supported by Critic’s Notebook Two new works, “The Listeners” and “Grounded,” echo the age-old spectacle of female disintegration and show the tension of fitting ...
New York's prestigious Metropolitan Opera will open its season Monday with "Grounded," a work that explores technological evolutions of war against the backdrop of motherhood. Commissioned by the Met ...
This is an archived article and the information in the article may be outdated. Please look at the time stamp on the story to see when it was last updated. NEW YORK (AP) — Jeanine Tesori watched the ...
This is an archived article and the information in the article may be outdated. Please look at the time stamp on the story to see when it was last updated. WASHINGTON (AP) — Nearly 10 years after it ...
Emily D’Angelo Sings from the Met Opera's "Grounded" Emily D’Angelo and the ensemble of "Grounded" perform an excerpt from Act 1. ♪♪ Grounded into the new era of drone combat. Look for the compelling ...
The opera, scored by the Tony Award-winning composer Jeanine Tesori, sees a star fighter pilot named Jess lose her role in the skies -- she's grounded, as they say -- after an unexpected pregnancy ...
NEW YORK — Jeanine Tesori watched the world premiere run of her “Grounded” with director Michael Mayer last fall at the Kennedy Center and noticed audience fidgeting. “It didn’t need a transplant of a ...