Janet Reinschmidt, Staff Writer Phantom of the Megaplex is a true send up and love letter to cinema in a Disney Channel Original Movie.

by Janet Reinschmidt, Staff Writer Phantom of the Megaplex is a true send up and love letter to cinema in a Disney Channel Original Movie.

Chelsea Alexandra, Staff Writer It's interesting looking back at what used to bring me fear as a child and how it compares to the existential fears of being an adult.

Chelsea Alexandra, Staff Writer Video Store•Age is a platform dedicated to preserving and sharing independent and experimental films.

James Bojaciuk, Staff Writer Some art holds a special surprise when you engage with it without prior knowledge. Shin'ichirō Ueda’s One Cut of the Dead deserves to be watched blind.

Cinema’s latest interpretation finds Robin (Hugh Jackman) astray among jagged cliffs and mossy stones; harsh terrain to mirror a man whose appearance is as stark and craggy. Violence and threats of ...

Although Cloud saw a nationwide release across the U.S. last year—and Kurosawa’s original Serpent’s Path is wrapping up a new North American theatrical run packaged with the previously ...

Club Zero, the new film directed and co-written by Jessica Hausner, is difficult to sit through. After opening with a content warning, you watch teenagers starve themselves, induce vomiting and even ...

From the very first minute of Unicorn Wars, the Spanish-French co-production written and directed by Alberto Vázquez (who also provided art direction), I knew that it would haunt my dreams. I was ...

Set in Vigo, Galicia in 2004, eighteen-year old future film student Marina (played by fantastic newcomer Llúcia Garcia) seeks a certificate of paternity, so as to gain eligibility for a university ...

If you’ve been living under a rock for the last month, or at least in a very different corner of the internet to me, you may not have heard that a little gay hockey show is taking the world by storm.

“Disney is a marvellous lullaby for the suffering and unfortunate, the oppressed and deprived,” wrote Sergei Eisenstein in the early 1940s. With his bold use of color, “plasmatic” morphing characters, ...