Aaron Sorkin’s sharp dialogue and the story behind The Facebook Files make for an engaging watch, but The Social Reckoning might have been a better film had it stood on its own rather than trying to ...

The Drive (2026) is a much quieter depiction of a global tragedy. By switching to the focus of your ‘everyday civilian’, it is easier to develop a personal attachment and relatability. Furthermore, ...

Gaming, an independent publication documenting the history, design and culture of Star Wars video games since 2009.

My challenge to my readers is to watch A Clockwork Orange and to keep count of any other Irish connections you may observe. However, beware of Little Alex and the Droogs; for their antics aren’t to ...

By combining period drama, dark humour and psychological tension, Plucked creates an engaging portrait of a marriage in collapse. Beneath its elegant exterior lies a story about power, resentment and ...

Though its quality is a point of debate, masterpiece or not, the Twilight franchise was a pop culture phenomenon. The first installment, Twilight, premiered in 2008 to substantial audience appeal as ...

‘Terms & Conditions’ is not only a great adaptation, but an enjoyable watch. The ending not only feels relatable with the long-winded form, but it’s satisfying to see Rob suffer in this way. Plus, the ...

At its core, One Day in Sedona is a modest and heartfelt romance that values emotional connection over spectacle. While its visual execution does not always match the ambition of its setting, the ...

Harvey Greenfield Is Running Late, directed by Jonnie Howard and co-written by Paul Richards, transforms everyday anxiety into an energetic and deeply relatable comedy. The film follows Harvey ...

Beautifully animated, thoughtfully crafted and rich with purpose, The Farmer’s Daughter is more than an engaging short film. It is a celebration of nature, creativity and the possibility of creating ...

The opening scene sets the tone for a movie. It could be considered an introduction between the audience and the story. A lot of times, screenwriters craft opening scenes with an ace up their sleeve.

A title card reading “When the poor give to the rich, the devil laughs” opens They Will Kill You, though the haves-versus-have-nots allegory rarely extends beyond the surface. Instead, Asia (Zazie ...