Finding the sacred in Jewish history and poetry with composer Alex Weiser. . The New Yorker has praised composer Alex Weiser for his ‘knack for crafting ...

Edward Gardner drew finely nuanced playing from the London Philharmonic Orchestra, bringing the score’s magical colours and emotional intensity vividly to life. Lamia should be heard much more often.

For an encore, Seong-Jin Cho played Tchaikovsky’s October: Autumn Song from The Seasons, Op.37a, with autumnal austerity, ...

_____ Chelsea Opera Group return with Ambroise Thomas’s Hamlet in November (18/09/2026) _____ Hampstead Garden Opera return with Bellini’s La sonnambula in November (18/09/2026) ...

In the Allegro con brio Mark Wigglesworth made sure that the musical ball never touched the ground: the playing was superbly tensile, with delicacy and lightness here, muscularity and strength there, ...

United Kingdom Mozart and Tchaikovsky: Fibonacci Quartet (Luna De Mol, Kryštof Kohout [violins], Elliot Kempson [viola], ...

VOCES8 Centre, St Anne and St Agnes Church, London, 21.10.2026. (MB) This excellent concert from the Wren Church of St Anne and Agnes, currently the VOCES8 Centre, offered a generous taste of a new ...

_____ Beczała and Grigorian herald the new Vienna State Opera season in grand gala style (11/09/2026) ...

Khori Dastoor on Houston Grand Opera’s turnaround, new works and James Gaffigan ...

Missy Mazzoli and Royce Vavrek’s Lincoln in the Bardo was the most eagerly anticipated premiere at the Metropolitan Opera in some time. Lines stretched across Lincoln Center Plaza as spectators waited ...

London Philharmonic Orchestra / Edward Gardner (conductor). Royal Festival Hall, London, 21.10.2026. (AV-E) Edward Gard ...

Seen and Heard International had already reviewed the Met’s season-opening new Macbeth before I saw this Live in HD and there is little to disagree with in Edward Sava-Segal conclusions (click here).