I crunched the data on over a million shots of faces across 3,655 movies to see whether modern lighting is getting flatter.

I analysed fifteen years of Oscar nominees to see whether the most-mentioned contenders in the trades tend to go on to win.

I crunched the numbers on 8,190 movies to discover which types stay profitable even when the critics are unkind.

Using data from over 3,655 movies, I've discovered that directors are increasingly framing their character shots differently.

In previous years, I have run a deep data dive into whether Die Hard is a Christmas movie, and also tried to predict which will be the next controversial Christmas movie. This year, I wanted to take a ...

Last week, I got pulled into a conversation with some friends about Donnie Darko. The debate quickly turned to whether the film’s hard-to-follow narrative held it back or whether that was part of its ...

Last month, I looked at how many film festivals still insist on premiere status, and found that most don’t. Only a small fraction of events require your film to be the first screening anywhere, while ...