Memories, memories, ah, fond memories! Flicking rapidly through the above-mentioned tome for the purposes of this review, I could not help but recall those golden days in the early Seventies – or was ...
Ever since Shakespeare labelled Richard, Duke of Gloucester, a ‘murderous Machiavel’, the word ‘Machiavellian’ in popular culture has meant being devious, cunning, scheming and quite prepared for the ...
In 1981, Leszek Kolakowski began the introduction to the first volume of his magisterial trilogy Main Currents of Marxism with the statement ‘Karl Marx was a German philosopher.’ If we add ‘who lived ...
Uncertain why you are reading this? Good, because I’m not any more certain why I’m writing it. It’s not for material gain – contrary to rumours creeping through the darker reaches of the web, this ...
There is not enough fiction in Hollywood and that’s a fact. Not enough Hollywood either, for that matter. Do not let the title of Gore Vidal’s new blockbuster fool you into thinking that it belongs – ...
In the essays known as the Federalist Papers, published in 1787–8, the American statesman James Madison deplored ‘the blunders of our governments’. What, he asked, ‘are all the repealing, explaining ...
With The Real Lolita, Sarah Weinman might be said to have invented a completely new genre: true-crime literary criticism, which is not to be confused with truly criminal literary criticism, which, of ...
Catherine Millet is the girl who can't say 'non'. Editor of the highly-regarded Art Press, she has made it her life's work to sleep with as many men as possible (she has always, she says, had a thing ...
In 1843, two years before her death at the age of seventy-two, Cassandra Austen told her brother Charles that she had been ‘looking over & destroying some of my Papers’, but was keeping ‘a few letters ...
There's something odd about Vienna and the Austrians. Don't just take my word for it – read virtually every English-language writer who has puzzled over the place and its people since the War. Graham ...
Beginnings is a truly remarkable work of criticism which, for some reason, has had far less than its due share of attention since appearing in 1975. Reviewers were probably bewildered, not only by the ...
Stoyo Petkanov, the central character of Julian Barnes’s new novella, is a satirical creation of genius. Three parts Todor Zhivkov, the ghastly former ruler of Bulgaria, to one part Alf Garnett, he is ...